Authenticity and tradition
On Saturday we travelled to Moose Jaw to attend a workshop for writers. We’ve only lived there for short periods of time, the last one being 37 years ago, but it still feels like this is where our roots are. I wanted to visit my 91 year old cousin after the workshop, but there was a disease outbreak at the nursing home and we were not allowed in. We did get together with another cousin and his wife for a two hour visit over supper before leaving for home.
I was inspired by the things we heard at the workshop — those things then linked to other thoughts that had been floating around somewhere in the back of my mind — and I have decided to share some of those thoughts in a few short posts over the next few days.
The first speaker was the librarian from Briercrest College who told us that college aged students are looking for authenticity in Christian fiction. They connect with realistic characters who struggle to live out their Christian values in the face of true to life temptations and pressures. The plot needs to be compelling, a reflection of real life. This does not mean that evil should be glamourized or made overly explicit, but it needs to reflect what young people are facing in their own lives.
Non-Christian characters need to be believable, not caricatures. They also struggle with temptations and with longings to do what is right. Their problem is that too often they make the wrong choices.
Characters need to have a real past and an unknown future. This does not mean that the writers need to tell the past of their characters, but they need to develop in their own mind a clear picture of how the character came to be who she is and where she is. This will lead to making this character act in a way that is consistent throughout the book, rather than appearing to be someone with a multiple personality disorder.
Christian fiction should honour God and gently point people to God, but it should not be preachy. There should be some mystery and ambivalence left at the end, to allow the reader to think through the issues that have been raised. Think about that for a moment. Jesus explained some of His parables but in most of them He made one main point and left us with many questions. Consider the discussions that we get into about the prodigal son and his jealous brother. Jesus didn’t resolve that question for us.
Another point made by this speaker is that young people today are longing to feel part of something bigger than themselves. Tradition appeals to them. I wondered if there might be a conflict between this thought and the musical portion of the workshop. Do young people today find what they long for in the seeker-friendly contemporary worship music that is featured in many churches?