I have always thought of myself as a writer, one who would get serious about writing at some moment in the future. If reading is part of the training for becoming an effective writer , then I have been in training all my life. One cannot learn to write effectively without noting how and why some people’s writing catches your attention and draws you in; and how you mind wanders to other things when trying to read the words of others.
I feel that the moment to get serious about writing has come, and the place to start is to pull up the memoir of my faith journey and put it through the refining fire. If I were to publish it as it is now it would probably sell a couple hundred copies to people who know me or know a little bit about me. That’s nice, but the real test of writing is whether it is interesting to people who know nothing about me.
Here are some thoughts on writing well that I am putting down as an aide-memoire to myself. I hope others might find something here to consider.
1. Forget the Sergeant Joe Friday approach: “Just the facts ma’am, just the facts.” That may have been an effective police interview technique 70 years ago, but it doesn’t work in story writing. Not even when writing my own story. I know the story, I’ve lived it, I remember it because it had an impact on my life. How can I make it grab the attention of a reader who knows nothing about me and make him care about the outcome?
2. Don’t preach, don’t moralize, don’t explain. Let the story tell the story. Animal Farm by George Orwell and The Machine Stops by E.M. Forster are two short books by British authors that make us think about our relationships with others. They are not Christian books, they don’t spell out any moral instruction, yet the messages are powerful.
3. Use simple words. A word with a single syllable is more powerful than one with six. Two adjectives to a noun cancel each other. Most adjectives and adverbs do more harm than good.
4. Eliminate jargon: Christian jargon or anything that is only understood by a certain group of people. It’s OK to use a little in dialogue to paint a picture of the character, but go easy.
5. Master the language you are writing in. Don’t use a word unless you are 100% sure of its meaning.
6. Respect the people you write about, whether real or fictional. Some of the people who appear in my memoir have made deplorable choices. That’s real life. People make choices that lead to unfortunate consequences and most don’t find their way home. That doesn’t mean they are stupid, or evil.