Too many new writers have the idea that they have to use interesting words to entice others to read their prose. They load up on colourful adjectives and adverbs, the more syllables the better, and replace simple nouns and verbs with ones that are larger and weightier. Readers get weary trying to wade through that stuff and soon head for the exit.
We should not try to impress the reader with our grandiloquent vocabulary, just take him gently by the hand and show him what we see. The adverbs, adjectives and big words get in the way of that view.
Stripping away the useless words forces us to describe what we see. Don’t write “A magnificent vista opened before my awe-struck eyes,” describe what you see. Don’t make yourself and your feelings the focal point, the reader wants you to paint a word picture.
Some writers think that it gets boring to continually repeat “he said,” “she said.” They opt for “Eleanor sighed,” “George growled,” Nancy wailed,” “Eddie mumbled,” “Vickie sobbed,” and worse. There are two mistakes in this kind of thing. “Said” does not hinder the flow of the story, it is the simplest way to tell your reader that someone said something. Replacing it with something more creative may stop the reader in her tracks to contemplate this strange object on her pathway through the story. Secondly, if someone is shocked, hurt, surprised, it is more effective to describe the changes in that person’s face. Do her eyes grow wide, or narrow? Does her mouth fall open, or are her lips pressed together?
The goal in writing is to tell a story, describe an event, give instructions or give reasons why something should, or should not, be believed. It is not to draw attention to ourselves. There are times when a big word is the most appropriate word to use, but most of the time big words, adverbs and adjectives are just ways of saying “Look at me! See what I can do!” Cutting those words out will make our writing more effective, leaving them in could cause verbal indigestion in the reader.